Saturday, August 21, 2021

Naming Ceremony by Honorée Fanonne Jeffers




 Naming Ceremony 

by Honorée Fanonne Jeffers

VOICE


for Jerry Ward, Jr.


Shallow curve of the land
between master and owned
I have dismissed you until I come
upon kin     Since time my jaws
have collected accusations
from memory     No logic
grinding my teeth     I have not
been sold     The telling of the coppers
between fingers     (Skin)
I think that I have known freedom
This old story and yet I grieve
accented by our home
Your line reaching back
while I search for the cloth
of our mother’s  bodice
My line snapped     My mind
flying home at Ibo Landing
I think that I have known liberty in
the caverns I have lived in
Valley of Senegambia
Coast of Slaves    Gold    Ivory
(Loss)     The mud of the Bights
Benin     Listen to the talk
beaten by a man and his apprentice
a mortgaged youth     My body
lightened     mongreled currency
Biafra     beaten     Hear me
beaten down blood     free
unclaimed by garbled deity
My father’s call tricks
the music of stopped ears
The flesh of the young men is burning
One of us is Cain     the gardener
of perfidy     unblessed by lineage
the flesh of the young men is aglow



KISS

Wampum by Honorée Fanonne Jeffers

Memphis Resurrection by Honorée Fanonne Jeffers

Dreams of My Father by Honorée Fanonne Jeffers

The Gospel of Barbecue by Honorée Fannonne Jeffers

Honorée Fanonne Jeffers / The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue

Washita Battlefield National Historic Site by Honorée Fanonne Jeffers

Chorus of the Mothers-Griot by Honorée Fanonne Jeffers

Naming Ceremony by Honorée Fanonne Jeffers








Wednesday, August 18, 2021

Allison Benis White / “Waldgeist,” “Sheathe,” and “Ignis Fatuus”

 




Allison Benis White

“Waldgeist,” “Sheathe,” and “Ignis Fatuus”


Waldgeist

The souls trapped
in the trees in Dante’s forest
of suicides can only speak
when their branches are broken
as they bleed.

What else is language
now but injury: why did you
break me?

Why did you leave me?

And relief: to bleed
in one place, for one reason,
to say I failed to live
sanely on earth
without you.


 

Sheathe

Even in the dream,
we lie awake in the
dark, side by side.

When I ask
if you’re dead, you say,
Alive in your mind.

And of the four truths,
I remember two: we are
alone, we will suffer.

It’s no wonder
we cannot sleep.

We cannot die,
your cool hand
in my hand, carved
from ivory or ice.


 

Ignis Fatuus

It is possible to be
lovely in the dark.

A few thin trees
leaning toward
each other.

In ghost or pale
light, my fingers
on my lips.

If to speak is to die,
I will whisper.

If to speak is to die,
I will make
trees of my hands—

I will say nothing
by shivering, I will
say everything.




Saturday, August 14, 2021

Chorus of the Mothers-Griot by Honorée Fanonne Jeffers

 



Chorus of the Mothers-Griot

by Honorée Fanonne Jeffers


for Phillis Wheatley (c.1753-1784)


[amnesiac wood]

[nostrils of girls]	        [who was bought]	        [uncle’s hand]
[guts on the air]	        [who was sold]		[defeated man]
[history’s charnel]	        [i say] 	                [trader’s silver]

                                [sailing knot to knot]

[naked in the corner]	[door of no return]	[sing the mutiny]
[in the slave house]	[sniff bougainvillea]	[who stands ashamed]
[i say]		 	[ready dawn’s kill]	        [naked in the corner]

                                [jealous sharks]

[i shall]			[who did]		        [i say]
[they did]		        [i’m here]		        [my name]
[who shall]		        [i say]		        [yes here]

                                [on the battlefield] 

[call woman]		[call america]		[call revolution]
[call the brother]	        [call myth]                  [i say] 
[call the auction]	        [call africa]		        [call revolution]

                                [in God’s name]

[is this called]		[is my mother]		[is my kin]
[i say]			[is this called]		[is some land]
[is my mother]		[and what] 		        [is this called]





	after Lucille Clifton


KISS

Wampum by Honorée Fanonne Jeffers

Memphis Resurrection by Honorée Fanonne Jeffers

Dreams of My Father by Honorée Fanonne Jeffers

The Gospel of Barbecue by Honorée Fannonne Jeffers

Honorée Fanonne Jeffers / The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue

Washita Battlefield National Historic Site by Honorée Fanonne Jeffers

Chorus of the Mothers-Griot by Honorée Fanonne Jeffers

Naming Ceremony by Honorée Fanonne Jeffers








Wednesday, August 11, 2021

Washita Battlefield National Historic Site by Honorée Fanonne Jeffers

 


Washita Battlefield National Historic Site

by Honorée Fanonne Jeffers

for Chief Black Kettle & the Cheyenne People

I. 2016            
   that journey
 
i was tired
not ready for
a long drive
i live here now
my land here now
& the cheyenne
my new duty   
as i travel
i am afraid
carved country
in this part of  
oklahoma
my dark skin  
my kinky hair 
the worries      
the ugly
tales of travel
i am afraid
all this to write
some short history
for peace
at the battlefield
it’s near evening
no one here
to guide
through the bones
i must go alone
on one branch 
a flash 
cloth bundled  
a head  with
no features      
a jump in grass
no further
i should take off
my shoes
where they died
i walk down
the trail
the sounds
the horses
butterflies hop
they intone      
find that place  
where you walk 
this is where   
we wait woman    
           

II.  1864–68
   that time 

for years                      
the old ones                
waiting                        
an old story                 
an old people  
caution
a whisper         
hope & survive 
don’t be afraid            
just wait                       
the world         
has lasted        
this long          
a legacy           
we rely upon    
lists of treaties 
medicine lodge
black kettle      
a kind man
suffered power
for peace
i grieve this man
i grieve his wife
no words
to justify
definition
in suffering
i place my prayers
in spirit
in a gift
a bullet 
lost in blood    
pray before      
it talks to you   
what a man offered
left behind
children women
beaten by memory
the dawn
custer’s music
the warriors
point to trees
soldiers there  
a battlefield
quickly leave    
the offerings
for your tongue           
 

III.  1868
   that dawn

memory
i must respect
i must respect
the beginning
the beginning
the dawn
a mourning
a hot sun
of migration
in this place
stillness
before claiming
river through trees
& elders
surely know
broken vowels
sand creek
counseling quiet
faith in life
through waiting
then a massacre
black kettle
medicine woman later
stop asking me
to understand
to absolve soldiers
no words
no words
i claim
in testimony
buried inside
a memory
it speaks in books
it chides the truth
calm never lasts
i want peace
calm never lasts
i want peace
i can’t forget
custer’s music
the women
sing to children
do not forget 
a massacre 
remember 
tend to stories
find the words      


KISS

Wampum by Honorée Fanonne Jeffers

Memphis Resurrection by Honorée Fanonne Jeffers

Dreams of My Father by Honorée Fanonne Jeffers

The Gospel of Barbecue by Honorée Fannonne Jeffers

Honorée Fanonne Jeffers / The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue

Washita Battlefield National Historic Site by Honorée Fanonne Jeffers

Chorus of the Mothers-Griot by Honorée Fanonne Jeffers

Naming Ceremony by Honorée Fanonne Jeffers





Monday, August 9, 2021

Honorée Fanonne Jeffers / The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue

 


The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue


by Honorée Fanonne Jeffers


I believe that white lady
meant well, but she took liberties
with my story.
There was a pint,
and I am a woman,
but I never did bear
thirteen young.
There was an audience,
and I did stand.
At first, hesitant, but then,
speaking God’s clear
consonants in a voice
that all might hear, not
with apostrophes feeding
on the ends of my words.
And I am six feet tall,
and some might say, broader
than any man.
And I was a slave.
And my child was taken
from me, though I fought
to get him back.
And I did work hard.
And I did suffer long.
And I did find the Lord
and He did keep
me in His bony-chested embrace.
And if I showed you my hands,
instead of hiding them in my sleeves
or in a ball of yarn,
you could see my scars,
the surgery of bondage.
And I have traveled to and fro
to speak my Gospel-talk—
surely, I’ve got the ear of Jesus.
But I forgive that lying woman,
because craving is a natural sin.
She needed somebody
like me to speak for her,
and behave the way
she imagined I did,
so she could imagine
herself as a northern mistress.
And there I was,  
dark and old,
soon to fold my life
into Death’s greedy hand.
And in this land,
and in this time,
somebody who could never
shout her down.


KISS

Wampum by Honorée Fanonne Jeffers

Memphis Resurrection by Honorée Fanonne Jeffers

Dreams of My Father by Honorée Fanonne Jeffers

The Gospel of Barbecue by Honorée Fannonne Jeffers

Honorée Fanonne Jeffers / The Prophetess Sojourner Truth Discusses the Two Different Versions of Her Most Well-Known Speech, One Nearly Unknown and One Very Beloved Yet Mostly Untrue

Washita Battlefield National Historic Site by Honorée Fanonne Jeffers

Chorus of the Mothers-Griot by Honorée Fanonne Jeffers

Naming Ceremony by Honorée Fanonne Jeffers








Saturday, August 7, 2021

The Gospel of Barbecue by Honorée Fannonne Jeffers

 


The Gospel of Barbecue

BY HONORÉE FANONNE JEFFERS

   for Alvester James

Long after it was
necessary, Uncle
Vess ate the leavings
off the hog, doused
them with vinegar sauce.
He ate chewy abominations.
Then came high pressure.
Then came the little pills.
Then came the doctor
who stole Vess’s second
sight, the predication
of pig’s blood every
fourth Sunday.
Then came the stillness
of barn earth, no more
trembling at his step.
Then came the end
of the rib, but before
his eyes clouded,
Uncle Vess wrote
down the gospel
of barbecue.

Chapter one:
Somebody got to die
with something at some
time or another.

Chapter two:
Don’t ever trust
white folk to cook
your meat until
it’s done to the bone.

Chapter three:
December is the best
time for hog killing.
The meat won’t
spoil as quick.
Screams and blood
freeze over before
they hit the air.

Chapter four, Verse one:
Great Grandma Mandy
used to say food
you was whipped
for tasted the best.

Chapter four, Verse two:
Old Master knew to lock
the ham bacon chops
away quick or the slaves
would rob him blind.
He knew a padlock
to the smokehouse
was best to prevent
stealing, but even the
sorriest of slaves would
risk a beating for a full
belly. So Christmas time
he give his nasty
leftovers to the well
behaved. The head ears
snout tail fatback
chitlins feet ribs balls.
He thought gratitude
made a good seasoning.

Chapter five:
Unclean means dirty
means filthy means
underwear worn too
long in summertime heat.
Perfectly good food
can’t be no sin.
Maybe the little
bit of meat on ribs
makes for lean eating.
Maybe the pink flesh
is tasteless until you add
onions garlic black
pepper tomatoes
soured apple cider
but survival ain’t never been
no crime against nature
or Maker. See, stay alive
in the meantime, laugh
a little harder. Go on
and gnaw that bone clean.