Friday, September 11, 2026

The Striking of Fire by Endre Ady

 

Endre Ady: The Striking of Fire

A poem by Endre Ady in translation by Bernard Adams.




The Striking of Fire 

by Endre Ady

Translation by Bernard Adams

 

Great things are only done when there are bold

Men that are venturesome, come to the fore,

Can show their mettle over and again

And, holding to their course, can weather storms.

 

Blessèd may that man be that first struck Fire:

The first in daring of the race of men,

He looked upon the unfamiliar flame

As something that by right he'd give to them.

 

His work, as there he shivered in the snow,

Brought to him tribute due as to a God:

And to this day each valiant man remains

Willing to dare the shedding of his blood.

 

This world is not for the inheritance

Of backward-looking, worthless ne'er-do-wells;

The best of men is he that dares to act

And better only one: the braver still.

 

And he that wants things not to stay the same

Is no more chary of his precious hide

Than was his godsend ancestor of old,

That splendid ancient, he that first struck Fire.

 

 

 

A TŰZ CSIHOLÓJA

 

Csak akkor születtek nagy dolgok,

Ha bátrak voltak, akik mertek

S ha százszor tudtak bátrak lenni,

Százszor bátrak és viharvertek.

 

Az első emberi bátorság

Áldassék: a Tűz csiholója,

Aki az ismeretlen lángra

Úgy nézett, mint jogos adóra.

 

Mint egy Isten, hóban vacogva

Fogadta szent munkája bérét:

Még ma is minden bátor ember

Csörgedezteti az ő vérét.

 

Ez a világ nem testálódott

Tegnaphoz húzó, rongy pulyáknak:

Legkülömb ember, aki bátor     

S csak egy külömb van, aki: bátrabb.

 

S aki mást akar, mint mi most van,

Kényes bőrét gyáván nem óvja:

Mint ős-ősére ütött Isten:

A fölséges Tűz csiholója.


HLO HU





Wednesday, September 9, 2026

Anne Carson / ‘I do not believe in art as therapy’

 

Anne Carson

MEET THE AUTHOR

Interview

Anne Carson: ‘I do not believe in art as therapy’


The poet and classics professor talks about her new collection, Float, her love of volcanoes and the power of brevity


Kate Kellaway
Sunday 30 October 2016



Anne Carson’s The Beauty of the Husband, published in 2001, made her name; she became a poetic guru, revered as an original. Her writing is a hybrid – a wayward mix of ancient and modern. She is an essayist, translator and dramatist. Born in Ontario in 1950, she has worked most of her life as a classics professor. She appears in the newly launched Penguin Modern Poets Series and has just published a new collection, Float.

Thursday, September 3, 2026

Seamus Heaney’s poems for a darkening age

 


Seamos Heaney
Photo by Jane Bown

Seamus Heaney’s poems for a darkening age


Collected in a landmark new edition, the late Irish writer’s work is attuned to wonder, replete with humanity and rooted in the tragedies of history


Fintan O’Toole

Friday 24 October 2025


A place I happen to know very well is the Flaggy Shore, a thin spit of land that sticks out into the south side of Galway Bay. In the autumn of 1992, Seamus Heaney drove up the narrow tarmacked pathway with his wife Marie, the great playwright Brian Friel and his wife Anne. He does not seem to have bothered to get out of the car, or even to stop for a few minutes to take in the scene. Because the path is usually blocked by walkers, it’s a slow drive – but still it couldn’t have taken him much more than 10 minutes. He had, as he later recalled, a “quick sidelong glimpse of something flying past”.

Wednesday, September 2, 2026

Triage by Claudia Rankine review – how should we respond to the world’s atrocities?


Review

Triage by Claudia Rankine review – how should we respond to the world’s atrocities?

The American poet and essayist weaves memoir, fiction, criticism and lyrical lament into a tale of friendship in an age of existential crisis


Sarah Crown

Any resemblance to actual persons, living or dead, or actual events is purely coincidental,” writes the multi-award winning Jamaican-American poet, essayist and playwright Claudia Rankine in the disclaimer to her latest work. “Unless it isn’t.” The pretzel-logic of this statement, its assertive ambiguity, sets the tone for a book that digs directly into the question of what we are to do with the idea of truth, when the world we live in is asking us “to hold, visually and emotionally, realities we do not yet have a viable system of language for”. In Triage, Rankine borrows from her personal history and from a world whose landscape now encompasses “the rise of fascism, the implementation through deportations of the Great Replacement theory, the starvation of devastated populations subjected to war and climate change”, and uses the material she gathers to pose a simple question. When faced with realities such as these, what do you do? Do you stand, or do you fall?

Monday, August 31, 2026

Claudia Rankine / ‘The invisibility of black women is astounding’

 


Poet Claudia Rankine: ‘The invisibility of black women is astounding’

This article is more than 11 years old

The writer asked friends for their experiences of everyday racism and turned them into the award-winning Citizen. Here she talks about the power of making private anecdotes public


Paula Cocozza

Monday 21 June 2015


W

hen Serena Williams was contesting the US Open in 2012, the American poet Claudia Rankine watched from the stands, engaged in a parallel skirmish of her own. She had taken her nine-year-old daughter to the final. They were sitting next to a white American. “And the guy,” Rankine says in surprise, “is cheering for the other player, not for Serena. So I say to him: ‘Are you American?’ And he says: ‘Yes.’ And I say: ‘So why are you cheering for the player from Belarus and not Serena Williams?’”