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| Maya Angelou |
Voices in the lower register
Roberta ClarkeMay 30, 2014
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| Maya Angelou |
There are times when words are not enough, cannot express the insult to the soul of humanity. Such it is for the gang rape and hanging of those teenage girls in India; such it is for the stoning to death of Farzana by her unrepentant father; such it is for the girls of Nigeria, still missing. Such it is for the daily killing of women in the Caribbean.
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| Maya Angelou |
“Whitney, who’s your person?” I clenched my hands together under the desk. It was my turn to report which author I hoped to interview for professor Carolyn Hembree’s assignment. I knew I had picked a long shot, but I had to believe.
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| Illustration by Margaux Carpentier |
Oh Raphael. Guardian angel. In love and crime
all things move in sevens. seven compartments
in the heart. the seven elaborate temptations.
seven devils cast from Mary Magdalene whore
of Christ. the seven marvelous voyages of Sinbad.
sin/bad. And the number seven branded forever
on the forehead of Cain. The first inspired man.
The father of desire and murder. But his was not
the first ecstasy. Consider his mother.
Eve’s was the crime of curiosity. As the saying
goes: it killed the pussy. One bad apple spoiled
the whole shot. But be sure it was no apple.
An apple looks like an ass. It’s fags’ fruit.
It must have been a tomato.
Or better yet. A mango.
She bit. Must we blame her. abuse her.
poor sweet bitch. perhaps there’s more to the story.
think of Satan as some stud.
maybe her knees were open.
satan snakes between them.
they open wider
snakes up her thighs
rubs against her for a while
more than the tree of knowledge was about
to be eaten…she shudders her first shudder
pleasure pleasure garden
was she sorry
are we ever girls
was she a good lay
God only knows

A poem by Endre Ady in translation by Bernard Adams.
Translation by Bernard Adams
Great things are only done when there are bold
Men that are venturesome, come to the fore,
Can show their mettle over and again
And, holding to their course, can weather storms.
Blessèd may that man be that first struck Fire:
The first in daring of the race of men,
He looked upon the unfamiliar flame
As something that by right he'd give to them.
His work, as there he shivered in the snow,
Brought to him tribute due as to a God:
And to this day each valiant man remains
Willing to dare the shedding of his blood.
This world is not for the inheritance
Of backward-looking, worthless ne'er-do-wells;
The best of men is he that dares to act
And better only one: the braver still.
And he that wants things not to stay the same
Is no more chary of his precious hide
Than was his godsend ancestor of old,
That splendid ancient, he that first struck Fire.
A TŰZ CSIHOLÓJA
Csak akkor születtek nagy dolgok,
Ha bátrak voltak, akik mertek
S ha százszor tudtak bátrak lenni,
Százszor bátrak és viharvertek.
Az első emberi bátorság
Áldassék: a Tűz csiholója,
Aki az ismeretlen lángra
Úgy nézett, mint jogos adóra.
Mint egy Isten, hóban vacogva
Fogadta szent munkája bérét:
Még ma is minden bátor ember
Csörgedezteti az ő vérét.
Ez a világ nem testálódott
Tegnaphoz húzó, rongy pulyáknak:
Legkülömb ember, aki bátor
S csak egy külömb van, aki: bátrabb.
S aki mást akar, mint mi most van,
Kényes bőrét gyáván nem óvja:
Mint ős-ősére ütött Isten:
A fölséges Tűz csiholója.
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| Anne Carson |
MEET THE AUTHOR
The poet and classics professor talks about her new collection, Float, her love of volcanoes and the power of brevity
Kate Kellaway
Sunday 30 October 2016
Anne Carson’s The Beauty of the Husband, published in 2001, made her name; she became a poetic guru, revered as an original. Her writing is a hybrid – a wayward mix of ancient and modern. She is an essayist, translator and dramatist. Born in Ontario in 1950, she has worked most of her life as a classics professor. She appears in the newly launched Penguin Modern Poets Series and has just published a new collection, Float.
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| Seamos Heaney Photo by Jane Bown |
Fintan O’Toole
Friday 24 October 2025
A place I happen to know very well is the Flaggy Shore, a thin spit of land that sticks out into the south side of Galway Bay. In the autumn of 1992, Seamus Heaney drove up the narrow tarmacked pathway with his wife Marie, the great playwright Brian Friel and his wife Anne. He does not seem to have bothered to get out of the car, or even to stop for a few minutes to take in the scene. Because the path is usually blocked by walkers, it’s a slow drive – but still it couldn’t have taken him much more than 10 minutes. He had, as he later recalled, a “quick sidelong glimpse of something flying past”.