Thursday, May 24, 2012

Charles Bukowski / I'm In Love

by Charles Bukowski

she's young, she said,
but look at me,
I have pretty ankles,
and look at my wrists, I have pretty
o my god,
I thought it was all working,
and now it's her again,
every time she phones you go crazy,
you told me it was over
you told me it was finished,
listen, I've lived long enough to become a 
good woman,
why do you need a bad woman?
you need to be tortured, don't you?
you think life is rotten if somebody treats you
rotten it all fits,
doesn't it?
tell me, is that it? do you want to be treated like a 
piece of shit?
and my son, my son was going to meet you.
I told my son
and I dropped all my lovers.
I stood up in a cafe and screamed
and now you've made a fool of me. . .
I'm sorry, I said, I'm really sorry.
hold me, she said, will you please hold me?
I've never been in one of these things before, I said,
these triangles. . .
she got up and lit a cigarette, she was trembling all 
over.she paced up and down,wild and crazy.she had
a small body.her arms were thin,very thin and when
she screamed and started beating me I held her
wrists and then I got it through the eyes:hatred,
centuries deep and true.I was wrong and graceless and
sick.all the things I had learned had been wasted.
there was no creature living as foul as I 
and all my poems were

Sunday, May 20, 2012

Bart Edelman / Three Poems

by Bart Edelman
(In Motion)

A student sitting in my office
Is privy to a conversation
I have with my publisher.
Through a strange quirk of fate
Harley-Davidson offers, possibly,
To ante up bucks for my new book ---
Something about improving their image
By taking the literary high road.
"How cool," the young woman coos.
"That's so unbelievably awesome.
Will they put a picture of you
On the back of a bike?"
I tell her quite frankly
This remains to be seen.
We have no sign of money yet ---
Only the word of an underling
Who wants a manuscript
Sent to his office,
Somewhere in Illinois,
By this time next week.
"Where the hell is Illinois?"
The inquisitive student wonders.
I think a geography course
With the dynamic Professor Leaver
May do her more good
Than the current poetry class
She visits rather infrequently.
Soon she is on her way,
All filled up by alliteration
And a dash of caesura --- for good measure.
I'm left with a curious image of me,
Straddling some red metallic hog,
Dressed from head to toe in black leather,
A rather disconcerting thought.
But, then again,
Things could fare far worse;
I could be perfectly posed
Behind the wheel of my father's Oldsmobile,
Driving the sleek General Motors dream,
Deep into the new millennium.

Baby Harold
Baby Harold is unhappy again;
They've been taunting him
At the elementary school
And he wants a new name.
He'd prefer to be called Lance
Or Logan or Barry or Bill ---
Anything but Baby Harold!
We tell him every night
That he has a fine name,
He'll grow into some day
If he's just patient enough.

Baby Harold closes his bedroom door
And states he won't come out.
He's stewing and we know what this means.
He'll pout and act surly
For a good part of the evening
And it won't be fun for anyone.
I wish he took after his sisters;
Everything rolls off their backs.
What's in a name, anyway?
When he reaches the age of 21,
He can change it if he chooses,
But I'll bet he'll be fond of it by then.

Baby Harold eventually decides
We're worthy of his presence
And strolls into the living room.
He sits on his mother's lap,
Wearing the Cincinnati Reds cap
I bought him this afternoon.
He says he wants to play baseball
And be just like Hal Morris.
When I tell him Hal's real name is Harold
He seems rather puzzled for a moment;
Then he suddenly becomes pleased,
Beaming as if he's just seen the light.

Somewhere around midnight
I check up on Baby Harold
And discover him asleep in bed,
A small bat in his hands.
I remove it very gently
And find his little fingers
Tightly grasping my own,
As if he's holding on for dear life.
Perhaps, he's dreaming of the big game,
Hearing the crowd scream out
The same name I've learned to love
Ever since I was a boy.

(Circa 1960)
You open the freezer one morning
In search of an onion bagel
To suppress last night's hunger
And find an old photograph
Hidden among the frozen foods.
You don't question how it got there ---
Stranger things have happened;
Rather, you take it in stride
And begin the thawing process.
About an hour or two later
It all comes into focus:
The year is circa 1960,
Your family carefully posed
Around the backyard swimming pool
Which will one day swallow
Your younger brother, Herbert,
Who will lie, motionless,
At the bottom of the deep end,
Before he is discovered by you.
But in the photograph, of course,
There is no sign of this tragedy ---
Just you two holding hands,
While your parents sit, lovingly,
On the edge of the diving board.
And that makes you wonder:
Who took this particular picture?
Any clue you hoped to find written
On the back of the snapshot
Has disappeared across the wet surface
And become, more or less, illegible.
This bothers you for a brief moment
Until you wash a week's worth of dishes
And place the photograph in the freezer, again.

From The Gentle Man
by Bart Edelman
(Red Hen Press)

Saturday, May 12, 2012

Pablo Neruda / America, I Do Not Invoke Your Name in Vain

by Pablo Neruda
Translated by Jack Schmitt

America, I do not invoke your name in vain.
When I hold the sword to my heart,
when I endure the leaks in my soul,
when your new day
penetrates me thorough the windows,
I´m of and I´m in the light that produces me,
I live in the shade that determines me,
I sleep and rise in your essential dawn,
soaked in the sperm of your species,
nursed on the blood of your legacy.

Sunday, May 6, 2012

Pablo Neruda / I Will Come Back

Isla Negra
Photo by Triunfo Arciniegas
By Pablo Neruda
Translated by Alaistar Reid

Some time, man o woman, traveler,
afterwards, when I am not alive,
look here, look for me here
between the stonesw and the ocean,
in the light storming
in the foam.
Look here, look for me here,
for here is where I shall come, saying nothing,
no voice, no mounth, pure,
here I shall be again the movement
of the water, of
it’s wild heart
were is shall be both bost and found -
here I shall be perhaps both stone and silence.